A significant intervention in contemporary debates about cross-cultural understanding
Fuyuki Kurasawa unearths what he terms “the ethnological imagination,” a substantial countercurrent of thought that interprets and contests Western modernity’s existing social order through comparison and contrast to a non-Western other. Accordingly, Kurasawa traces and critiques, through this prism of cultural alterity, the writings of some of the key architects of this way of thinking: Jean-Jacques Rousseau, Karl Marx, Max Weber, Émile Durkheim, Claude Lévi-Strauss, and Michel Foucault.
In the work of these thinkers, Kurasawa finds little justification for two of the most prevalent claims about social theory: the wholesale “postmodern” dismissal of the social-theoretical enterprise because of its supposedly intractable ethnocentrism and imperialism, or, on the other hand, the traditionalist and historicist revival of a canon stripped of its intercultural foundations. Rather, Kurasawa’s book defends a cultural perspective that eschews both the false universalism of “end of history” scenarios and the radical particularism embodied in the vision of “the clash of civilizations.” It contends that the ethnological imagination can invigorate critical social theory by informing its response to an increasingly multicultural world—a response that calls for a reconsideration of the identity and boundaries of the West as well of modernity itself.Hawaiian culture as it met foreign traders and settlers is the context for Sahlins's structuralist methodology of historical interpretation
This ethnographic study of the Panare Indians of Venezuela is the first extensive look at a tribe of this region of the Amazonia. It is an important book not only because it delves into the myth-filled Panare culture, but also because the author has used a modified version of the structural analysis of Claude Lévi-Strauss in examining the Panare.
Lévi-Strauss applied his method of structural analysis to the mythology of many societies in Amazonia, but never to any single society. Jean-Paul Dumont has filled that gap and has shown how the approach works in practice when applied to the intensive study of a single, small-scale culture. His book significantly expands the discussion of the strengths and weaknesses of the method.
The work deals specifically with the implicit mythology of the Panare and is concerned with the symbolic activities manifested in the daily behavior of this group. The analysis of the symbolism, explains Dumont, allows for the discovery of the conceptual system through which the Panare conceive of themselves.
The study is organized into two parts: a presentation of the data and an analysis. The presentation includes a geographical and historical account of the Panare and a general ethnological profile. The analysis is organized into the conceptual categories of inhabited space, time, astrosexuality, hearing, and taste. A concluding chapter summarizes the analysis.
Under the Rainbow will be of interest and of value not only to anthropologists but also to linguists, philosophers, psychologists, and others interested in the general intellectual movement represented by French structuralism. The fieldwork for Under the Rainbow was conducted in Venezuelan Guiana from September 1967 to July 1969.
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